Roy ayers ubiquity everybody loves the sunshine 1976

#ROY AYERS UBIQUITY EVERYBODY LOVES THE SUNSHINE 1976 PATCH#
#ROY AYERS UBIQUITY EVERYBODY LOVES THE SUNSHINE 1976 FREE#

'I Am Your Mind', the final track, is the most driving of the 13 presented here, its hard, snapping bass underpinning the multi-tracked whispers, which are a curious bit of what could only be considered 'solipsistic funk.' Knowing that the head keeps the body from unleashing the freedom that resides within, Ayers, on this unearthed set, echoes the paradigm of another long-lived head-funker: Free your mind and your ass will follow. Everybody Loves the Sunshine by Flo Morrissey and Matthew E. Sort: Most Popular Earliest to Latest Latest to Earliest Alphabetically. Here, she flutters on suave yet tricky tracks like 'Mystic Voyage (Version)' and 'Boogie Down' (wherein she urges her lover with the undeniable order 'pour yourself on me'). Everybody Loves the Sunshine Polydor 1976. Roy Ayers - Virgin Ubiquity: Unreleased Recordings 1976-1981. Roy Ayers - Everybody Loves the Sunshine (2004). More soothing is Carla Vaughn, who would go on to sing with Earth, Wind & Fire. Alternatieve titel: The Roy Ayers Anthology. Everybody Loves the Sunshine (Reissue) Roy Ayers Ubiquity Jazz 1976 Listen on Apple Music.

#ROY AYERS UBIQUITY EVERYBODY LOVES THE SUNSHINE 1976 PATCH#

But when both ladies lay off the caterwauling, the vibraslap and horn lines recline like a cat napping in a patch of warm light. Available with an Apple Music subscription. This is the 40th anniversary of Roy Ayerss 1976 album Everybody Love The Sunshine. The wailing of both Merry Clayton and Sylvia Cox counteracts the otherwise mellow bump of 'Brand New Feeling', as they match the analog sine waves with some dog-whistling of their own. The only suggestion of dating comes from the revolving cast of ladybirds, who imitate the leather-lunged female vocal style of the day, piercing through the brass and bass in the manner of disco-divas like Patti LaBelle and Minnie Riperton. That so-slick sound of joy reverberates through titles like 'What's the T?' and 'Green and Gold', proving the vibed tinges of his loving funk to be almost ageless. Originally of the hard bop school, Ayers embraced the strains of black music coming from the radio, incorporating more R&B smoothness and disco push into his jazz-based playing. Though Virgin Ubiquity is billed as a collection of thirteen never-before-released tracks, it's far more than a mere scrap heap of outtakes, as each of its 'from the vault' cuts luxuriate on the comfortable musical bed that Ayers mastered from '76 through '81. Since his 1963 debut, Ayers has worked with everyone from Herbie Mann and Guru to Fela Kuti and Erykah Badu, and his shimmering sound has foreshadowed acid jazz and fueled hip-hop, as well as gracing contemporary R&B. ItвЂ™s wonderful because IвЂ™m still growing in popularity.Not quite on par with, say, James Brown uncovering hours of tape from his on-the-one prime, the promise of prodigious unreleased songs from the peak of Ayers' powers is reason to take notice nonetheless. Virgin Ubiquity: Unreleased Recordings 1976 - 1981 Roy. By 1976, vibraphone legend Roy Ayers and his group Ubiquitys music had become dirtier, funkier, and more repetitive. вЂњItвЂ™s wonderful, the desire young people express for my music. AYERS,ROY UBIQUITY / RAMP - Everybody Loves the Sunshine/Daylight. While it might not have slammed the charts like Wild Cherry. The title track, 'Everybody Loves the Sunshine,' is a quintessential song from the mid-70s. Recorded at Electric Lady Studio, and Larrabee Studio Album Design- Beverly Parker-A.G.I. His recordings of this period can be very hit and miss, and in this particular record, you get both. Producer, Arranged By Roy Ayers Vibraphone, Lead Vocals, Electric Piano, Synthesizer Arp, String Ensemble, Percussion, Backing Vocals Roy Ayers Notes 1976 Polydor Incorporated Made and Printed in U.S.A. He says of modern artists in an interview from May 2016: Roy Ayers s had long made his shift into R&B/soul by 1976s Everybody Loves the Sunshine. The song has kept him popular with recent collaborations with Tyler the Creator and Alicia Keys. Cole, Naughty By Nature, FunkDoobiest, Brand Nubian, and Brazilian artist Seu Jorge. The list goes on with the song being borrowed or covered by Common, J. Late rapper 2Pac resang the same hook on вЂњLost SoulsвЂќ featuring Outlawz. Blige sampled the original track and itвЂ™s вЂњmy life, my life, my life in the sunshineвЂќ hook for her signature song and title track of her seminal hip-hop soul album My Life. The song has lived many lives through sampling and interpolation. It has gained a pro-Black association with his soulful musical elements and lyrics like вЂњfolks get down in the sunshine / folks get brown in the sunshine.вЂќ You can add or edit information about Everybody Loves The Sunshine at. The song has an instantly recognizable repeating siren-like synthesizer riff that interplays with a simplified funk bassline and piano jazz chords. In 1970 Ayers formed the Roy Ayers Ubiquity. вЂњEverybody Loves the SunshineвЂќ is a 1976 song by Roy Ayers and his band Roy Ayers Ubiquity.

Roy ayers ubiquity everybody loves the sunshine 1976